Oriental painting entered the abstraction of brush and ink very early, while Western painting entered the abstraction of form. I tried to find another direction and break the barriers of classification. I did not describe the outside world, nor did I use painting methods to express my emotions, completely breaking away from it. Drawing for the concept of "shape", in the two major traditions of the East and the West, it takes advantage of the strengths and complements the weaknesses, and presents a rhythmic and beautiful form that manifests its inner vitality, that is, "Qiyun". The inner essence of "Qi" is vividly represented on the screen by the "rhythm" of brush strokes and lines, which makes the space of the screen show the time attribute of life.